Rachel Bernsen is a choreographer, performer, dance educator and certified Alexander Technique teacher. Her current project, I Know You So Well, A Sound and Movement Choir for People Who Work in Healthcare is a multi-disciplinary work of movement, text and voice in collaboration with writer Rachel Kauder Nalebuff. She is also currently working with Yvonne Rainer and Emily Coates, dancing in a reconstruction/reimagining of Rainer's Parts of Some Sextets, a seminal work from 1965. Rachel is one part of Masters of Ceremony investigating improvisational practices and interdisciplinary possibilities with dancer and choreographer Melanie Maar and composer/performers Taylor Ho Bynum and Abraham Gomez-Delgado. She's created multiple works with visual artist Megan Craig including Traveling In Place (2017) for The Yale University Art Gallery and Colorada (2015) for Kunstverein Grafschaft Bentheim in Neuenhaus, Germany.

Rachel has done multiple projects with composer Anthony Braxton including as choreographer for the latest production of Braxton's Sonic Genome Project (Torino Jazz Festival 2015). She was choreographer for his opera Trillium J which premiered in April, 2014 at Roulette in NYC and is a performer in his interdisciplinary Pine Top Aerial Music project. She has created collaborative works with other established composers including vocalist Kyoko Kitamura, bagpipes player Matthew Welch and numerous projects with bassist and electronics artist Carl Testa and vocalist Anne Rhodes. Rachel was a participating artist in the World Performance Project's Think Jam: Improvisation Across Disciplines, a symposium on improvisation at Yale University.

She has received multiple commissions for new work from Artspace New Haven and received support from NEFA's New England Dance Fund, the Foundation for Contemporary Arts Emergency Grant and the Mayor's Community Arts Grant from the city of New Haven (2011 & 2012). Rachel's been a guest artist-in-residence at Montalvo Arts Center, was a 2007 NEA Honorary Fellow at the Djerassi Resident Artists Program and a 2005/06 Dance Theater Workshop Fresh Tracks artist-in-residence.

Her work has been shown in New York City at The Austrian Cultural Forum's Moving Sounds Festival, Arts For Art, Danspace Project, Dance Theater Workshop (NYLA), Roulette, The Chocolate Factory, The Vision Festival, Issue Project Room, Movement Research Spring Festival, Catch! Performance Series, The Poetry Project, The NOT Festival, Dixon Place, Jalopy Theater, and Movement Research at the Judson Church. In New Haven at the Yale University Art Gallery, International Festival of Arts and Ideas, Artspace New Haven. Rachel has been presented internationally at The Free Music Festival in Antwerp, Belgium; Vienna, Austria; Amsterdam,The Netherlands; Bologna, Italy, and in Cologne and Kassel Germany.

Rachel is the founder of the performance space and movement laboratory, The BIG ROOM in New Haven, CT and curator of its interdisciplinary performance series, Take Your Time. The series' debut in May 2010 was profiled in the New York Times and received an overall Best of 2010 mention in the New Haven Register.

Rachel has been a visiting assistant professor at Trinity College, department of Theater and Dance and a guest artist at Rutgers University Mason Gross School of the Arts, Miami Dade College (MDC Live Arts Lab), Yale University, Wesleyan University, Texas Woman's University and Connecticut College. She is on faculty at Movement Research, and taught in Russia as a teaching artist for the Moscow Dance Agency Tsekh Summer Dance Festival. She was on the dance faculty at The Educational Center for the Arts (ECA) high school from 2011-2014. Rachel maintains a private practice in the Alexander Technique.

Other choreographers and artists she's worked with include Bronwen MacArthur, Pamela Newell, Emily Coates, Fischerspooner, RoseAnne Spradlin, Juliette Mapp, Risa Jaroslow and Dancers, Urban Bush Women, Morgan Thorson, Wynne Fricke, and Leah Nelson.

Bernsen was a managing editor of and contributor to the Movement Research Performance Journal (MRPJ) and has written for the AmSAT News. She currently serves on the curatorial advisory board of Artspace. From 2009-11 she served on the board of the American Society for the Alexander (AmSAT), and from 2011-2013, on the board of Elm City Dance Collective (ECDC).

Rachel holds an MFA in Dance from New York University Tisch School of the Arts, a BA in English Literature from Macalester College and a national teaching certification in the Alexander Technique, M.AmSAT.

Photo: Taylor Ho Bynum
(Landing and work page photos: I Know You So Well by Stephanie Anestis)